
Go2 (2023 Reissue)
The music scene moved quickly in 1978. Preceded by the bandâs 4th single in a year (Are You Receiving Me?) in September, XTCâs second album released that year,
âGo2â, was issued in October and landed in the UK top 30 albums chart at No. 21, helped via a limited edition 2-disc package that also included the Go+ 12â EP.
Recorded in August/September 1978 at Abbey Road with John Leckie returning as producer â Brian Eno reputedly having declined to produce as he felt the band was good enough to self-produce â Go2 built and expanded upon the bandâs impossible to label White Music debut from the start of the year with smatterings of post-punk, sci-fi pop from another dimension, sharp lyrics and, frequently, even sharper tunes, now joined by a fascination with dub music that merited an additional 5 track 12â EP to accompany the initial release.
In addition to the growing strengths of twin songwriters Andy Partridge and Colin Moulding, the album also featured the emergence of Barry Andrews as a third songwriter â though this became a catalyst, in part, for Andrewsâ departure soon after the albumâs release. With positive reviews for the album from the British music press in NME, Sounds and Melody Maker, a run of singles that was as good as any of the competition in an already great year for the 7â, an incessant touring schedule and two top 40 albums, XTC was well on its way to its destiny as one of Englandâs most revered bands.
Andy Partridge recalls: âAfter the big bang of White Music, the rapidly expanding jagged, black and white universe of XTC grew apace. Colin was writing more,
even Barry was writing, before he jumped swiftly into a parallel dimension, and left to join Robert Fripp's League of Gentlemen. We became gently besotted with dub techniques and allowing more and more colour onto our palette. This album is where our future startedâ.
Contrary to popular myth, Go2âs distinctive sleeve was not specifically commissioned for the band. It had been pre-designed by third partner at Hipgnosis (co-founder of Throbbing Gristle and Industrial Records) Peter Christopherson and simply awaited aclient/band willing to choose it.
The album is being reissued as a limited edition 2-disc set, in a gatefold sleeve maintaining all of the original artwork, featuring the album and the Go+ EP, both pressed on 200 gram vinyl. As with the initial 1978 release, once this pressing has sold out, the album will revert to a single LP/single sleeve edition.
Tracklist
Side A:
Meccanik Dancing (Oh We Go!)
Battery Brides (Andy Paints Brian)
Buzzcity Talking
Crowded Room
The Rhythm Red
Side B:
Beatown
Life Is Good In The Greenhouse
Jumping In Gomorrah
My Weapon
Super-Tuff
I Am The Audience
Side C:
Dance With Me Germany
Beat The Bible
Side D:
A Dictionary Of Modern Marriage
Clap Clap Clap
We Kill The Beast
The music scene moved quickly in 1978. Preceded by the bandâs 4th single in a year (Are You Receiving Me?) in September, XTCâs second album released that year,
âGo2â, was issued in October and landed in the UK top 30 albums chart at No. 21, helped via a limited edition 2-disc package that also included the Go+ 12â EP.
Recorded in August/September 1978 at Abbey Road with John Leckie returning as producer â Brian Eno reputedly having declined to produce as he felt the band was good enough to self-produce â Go2 built and expanded upon the bandâs impossible to label White Music debut from the start of the year with smatterings of post-punk, sci-fi pop from another dimension, sharp lyrics and, frequently, even sharper tunes, now joined by a fascination with dub music that merited an additional 5 track 12â EP to accompany the initial release.
In addition to the growing strengths of twin songwriters Andy Partridge and Colin Moulding, the album also featured the emergence of Barry Andrews as a third songwriter â though this became a catalyst, in part, for Andrewsâ departure soon after the albumâs release. With positive reviews for the album from the British music press in NME, Sounds and Melody Maker, a run of singles that was as good as any of the competition in an already great year for the 7â, an incessant touring schedule and two top 40 albums, XTC was well on its way to its destiny as one of Englandâs most revered bands.
Andy Partridge recalls: âAfter the big bang of White Music, the rapidly expanding jagged, black and white universe of XTC grew apace. Colin was writing more,
even Barry was writing, before he jumped swiftly into a parallel dimension, and left to join Robert Fripp's League of Gentlemen. We became gently besotted with dub techniques and allowing more and more colour onto our palette. This album is where our future startedâ.
Contrary to popular myth, Go2âs distinctive sleeve was not specifically commissioned for the band. It had been pre-designed by third partner at Hipgnosis (co-founder of Throbbing Gristle and Industrial Records) Peter Christopherson and simply awaited aclient/band willing to choose it.
The album is being reissued as a limited edition 2-disc set, in a gatefold sleeve maintaining all of the original artwork, featuring the album and the Go+ EP, both pressed on 200 gram vinyl. As with the initial 1978 release, once this pressing has sold out, the album will revert to a single LP/single sleeve edition.
Tracklist
Side A:
Meccanik Dancing (Oh We Go!)
Battery Brides (Andy Paints Brian)
Buzzcity Talking
Crowded Room
The Rhythm Red
Side B:
Beatown
Life Is Good In The Greenhouse
Jumping In Gomorrah
My Weapon
Super-Tuff
I Am The Audience
Side C:
Dance With Me Germany
Beat The Bible
Side D:
A Dictionary Of Modern Marriage
Clap Clap Clap
We Kill The Beast
Original: $41.00
-65%$41.00
$14.35Description
The music scene moved quickly in 1978. Preceded by the bandâs 4th single in a year (Are You Receiving Me?) in September, XTCâs second album released that year,
âGo2â, was issued in October and landed in the UK top 30 albums chart at No. 21, helped via a limited edition 2-disc package that also included the Go+ 12â EP.
Recorded in August/September 1978 at Abbey Road with John Leckie returning as producer â Brian Eno reputedly having declined to produce as he felt the band was good enough to self-produce â Go2 built and expanded upon the bandâs impossible to label White Music debut from the start of the year with smatterings of post-punk, sci-fi pop from another dimension, sharp lyrics and, frequently, even sharper tunes, now joined by a fascination with dub music that merited an additional 5 track 12â EP to accompany the initial release.
In addition to the growing strengths of twin songwriters Andy Partridge and Colin Moulding, the album also featured the emergence of Barry Andrews as a third songwriter â though this became a catalyst, in part, for Andrewsâ departure soon after the albumâs release. With positive reviews for the album from the British music press in NME, Sounds and Melody Maker, a run of singles that was as good as any of the competition in an already great year for the 7â, an incessant touring schedule and two top 40 albums, XTC was well on its way to its destiny as one of Englandâs most revered bands.
Andy Partridge recalls: âAfter the big bang of White Music, the rapidly expanding jagged, black and white universe of XTC grew apace. Colin was writing more,
even Barry was writing, before he jumped swiftly into a parallel dimension, and left to join Robert Fripp's League of Gentlemen. We became gently besotted with dub techniques and allowing more and more colour onto our palette. This album is where our future startedâ.
Contrary to popular myth, Go2âs distinctive sleeve was not specifically commissioned for the band. It had been pre-designed by third partner at Hipgnosis (co-founder of Throbbing Gristle and Industrial Records) Peter Christopherson and simply awaited aclient/band willing to choose it.
The album is being reissued as a limited edition 2-disc set, in a gatefold sleeve maintaining all of the original artwork, featuring the album and the Go+ EP, both pressed on 200 gram vinyl. As with the initial 1978 release, once this pressing has sold out, the album will revert to a single LP/single sleeve edition.
Tracklist
Side A:
Meccanik Dancing (Oh We Go!)
Battery Brides (Andy Paints Brian)
Buzzcity Talking
Crowded Room
The Rhythm Red
Side B:
Beatown
Life Is Good In The Greenhouse
Jumping In Gomorrah
My Weapon
Super-Tuff
I Am The Audience
Side C:
Dance With Me Germany
Beat The Bible
Side D:
A Dictionary Of Modern Marriage
Clap Clap Clap
We Kill The Beast











