
The Path Of The Clouds
Product Info
Limited LP : Indies Exclusive 180g Silver and White Vinyl+12âx12â Print+DL code
LPÂ : Opaque White LP+DL code
More Info
The Path of the Clouds, Marissa Nadlerâs ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional.Â
One of Nadlerâs distractions during the 2020 quarantine was binging reruns of Unsolved Mysteries. As she watched, she began to notice parallels between many of its stories and her own life. What began as a writing exercise became the bedrock of her songwriting process, as she came to inhabit the narratives that had so fascinated her. In âBessie, Did You Make It?,â Nadler inverts the canon of the murder ballad, crafting a narrative of female empowerment and survival. âThe Path of the Cloudsâ tells the story of the infamous hijacker D.B. Cooper, but the song isnât just about jumping out of an airplane, faking your death, and making a grand exit. Itâs a meditation on perseverance and transformation, a salute to mastering oneâs fate. âWell, Sometimes You Just Canât Stayâ details the ingenious plans of the only successful escapees from Alcatraz, as well as the lingering enigma that surrounds their history. The lyrical twist on the chorus turns a tale about a prison break into a humorous, shoegazing country song.Â
While sheâs always been a brilliant guitarist, Nadler challenged herself to expand her palette for The Path of the Clouds, experimenting with synthetic textures that make the album feel untethered from time and space. A majestic grandeur sweeps through songs such as âElegy,â shooting the listener into the stratosphere as synths swirl and entwine with Nadlerâs celestial mezzo-soprano. Nadler also learned to play piano during the pandemicâs isolation, and she composed many of the songs on the album on keys rather than guitar, which further contributed to their exploratory feel. These songs are unmistakably Marissa Nadlerâs, but they sound free to go places sheâs never gone before.Â
Nadler tracked the skeletons of the songs at home and then sent them to some choice collaborators, including experimental harpist Mary Lattimore and Simon Raymonde, the Cocteau Twins bassist and her Lost Horizons collaborator. Multi-instrumentalist Milky Burgess, having recently worked on the soundtrack to the film Mandy, adds intricate melodic power throughout the album. Jesse Chandler, Nadlerâs piano teacher (as well as a member of Mercury Rev and Midlake), plays winding woodwinds and plaintive piano to luminous effect. Fellow singer-songwriter Emma Ruth Rundle contributes a slinky guitar solo on âTurned Into Air,â while Black Mountainâs Amber Webber steps in as a vocal foil to Nadler, a ghostly apparition in the distance of âElegy.âÂ
Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album at Machines with Magnets in Pawtucket, Rhode Island. Manchester added dimension to the songsâ atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadlerâs delivery now stings and pierces with newfound immediacy and confidence.Â
As a songwriter, Nadler is as direct and urgent as she has ever been. Thereâs no coded language amid the bleak lows and exalted highs of songs like âElegy,â âLemon Queen,â âStorm,â and âTried Not to Look Back.â Memories are painted with highly detailed imagery, and Nadler, also a visual artist, uses that eye not only to tell a story but to transport the listener there.Â
The Path of the Clouds showcases the power of an artist at the peak of her powers nearly 20 years into an acclaimed career as a songwriter and singer. Coming a long way from the spare dream folk of her earlier work, she has remained inspired and continues to evolve, open to new ideas and directions. The proof is right here, in Nadlerâs most ambitious and complex album yet.Â
Tracklist
- Bessie Did You Make It
- The Path Of The Clouds
- Couldnât Have Done the Killing
- If I Could Breathe Underwater
- Elegy
- Well Sometimes You Just Canât Stay
- From Vaport to Stardust
- Storm
- Turned Into Air
- And I Dream of Running
- Lemon Queen
Soundwave
Product Info
Limited LP : Indies Exclusive 180g Silver and White Vinyl+12âx12â Print+DL code
LPÂ : Opaque White LP+DL code
More Info
The Path of the Clouds, Marissa Nadlerâs ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional.Â
One of Nadlerâs distractions during the 2020 quarantine was binging reruns of Unsolved Mysteries. As she watched, she began to notice parallels between many of its stories and her own life. What began as a writing exercise became the bedrock of her songwriting process, as she came to inhabit the narratives that had so fascinated her. In âBessie, Did You Make It?,â Nadler inverts the canon of the murder ballad, crafting a narrative of female empowerment and survival. âThe Path of the Cloudsâ tells the story of the infamous hijacker D.B. Cooper, but the song isnât just about jumping out of an airplane, faking your death, and making a grand exit. Itâs a meditation on perseverance and transformation, a salute to mastering oneâs fate. âWell, Sometimes You Just Canât Stayâ details the ingenious plans of the only successful escapees from Alcatraz, as well as the lingering enigma that surrounds their history. The lyrical twist on the chorus turns a tale about a prison break into a humorous, shoegazing country song.Â
While sheâs always been a brilliant guitarist, Nadler challenged herself to expand her palette for The Path of the Clouds, experimenting with synthetic textures that make the album feel untethered from time and space. A majestic grandeur sweeps through songs such as âElegy,â shooting the listener into the stratosphere as synths swirl and entwine with Nadlerâs celestial mezzo-soprano. Nadler also learned to play piano during the pandemicâs isolation, and she composed many of the songs on the album on keys rather than guitar, which further contributed to their exploratory feel. These songs are unmistakably Marissa Nadlerâs, but they sound free to go places sheâs never gone before.Â
Nadler tracked the skeletons of the songs at home and then sent them to some choice collaborators, including experimental harpist Mary Lattimore and Simon Raymonde, the Cocteau Twins bassist and her Lost Horizons collaborator. Multi-instrumentalist Milky Burgess, having recently worked on the soundtrack to the film Mandy, adds intricate melodic power throughout the album. Jesse Chandler, Nadlerâs piano teacher (as well as a member of Mercury Rev and Midlake), plays winding woodwinds and plaintive piano to luminous effect. Fellow singer-songwriter Emma Ruth Rundle contributes a slinky guitar solo on âTurned Into Air,â while Black Mountainâs Amber Webber steps in as a vocal foil to Nadler, a ghostly apparition in the distance of âElegy.âÂ
Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album at Machines with Magnets in Pawtucket, Rhode Island. Manchester added dimension to the songsâ atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadlerâs delivery now stings and pierces with newfound immediacy and confidence.Â
As a songwriter, Nadler is as direct and urgent as she has ever been. Thereâs no coded language amid the bleak lows and exalted highs of songs like âElegy,â âLemon Queen,â âStorm,â and âTried Not to Look Back.â Memories are painted with highly detailed imagery, and Nadler, also a visual artist, uses that eye not only to tell a story but to transport the listener there.Â
The Path of the Clouds showcases the power of an artist at the peak of her powers nearly 20 years into an acclaimed career as a songwriter and singer. Coming a long way from the spare dream folk of her earlier work, she has remained inspired and continues to evolve, open to new ideas and directions. The proof is right here, in Nadlerâs most ambitious and complex album yet.Â
Tracklist
- Bessie Did You Make It
- The Path Of The Clouds
- Couldnât Have Done the Killing
- If I Could Breathe Underwater
- Elegy
- Well Sometimes You Just Canât Stay
- From Vaport to Stardust
- Storm
- Turned Into Air
- And I Dream of Running
- Lemon Queen
Soundwave
Original: $7.00
-65%$7.00
$2.45Description
Product Info
Limited LP : Indies Exclusive 180g Silver and White Vinyl+12âx12â Print+DL code
LPÂ : Opaque White LP+DL code
More Info
The Path of the Clouds, Marissa Nadlerâs ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional.Â
One of Nadlerâs distractions during the 2020 quarantine was binging reruns of Unsolved Mysteries. As she watched, she began to notice parallels between many of its stories and her own life. What began as a writing exercise became the bedrock of her songwriting process, as she came to inhabit the narratives that had so fascinated her. In âBessie, Did You Make It?,â Nadler inverts the canon of the murder ballad, crafting a narrative of female empowerment and survival. âThe Path of the Cloudsâ tells the story of the infamous hijacker D.B. Cooper, but the song isnât just about jumping out of an airplane, faking your death, and making a grand exit. Itâs a meditation on perseverance and transformation, a salute to mastering oneâs fate. âWell, Sometimes You Just Canât Stayâ details the ingenious plans of the only successful escapees from Alcatraz, as well as the lingering enigma that surrounds their history. The lyrical twist on the chorus turns a tale about a prison break into a humorous, shoegazing country song.Â
While sheâs always been a brilliant guitarist, Nadler challenged herself to expand her palette for The Path of the Clouds, experimenting with synthetic textures that make the album feel untethered from time and space. A majestic grandeur sweeps through songs such as âElegy,â shooting the listener into the stratosphere as synths swirl and entwine with Nadlerâs celestial mezzo-soprano. Nadler also learned to play piano during the pandemicâs isolation, and she composed many of the songs on the album on keys rather than guitar, which further contributed to their exploratory feel. These songs are unmistakably Marissa Nadlerâs, but they sound free to go places sheâs never gone before.Â
Nadler tracked the skeletons of the songs at home and then sent them to some choice collaborators, including experimental harpist Mary Lattimore and Simon Raymonde, the Cocteau Twins bassist and her Lost Horizons collaborator. Multi-instrumentalist Milky Burgess, having recently worked on the soundtrack to the film Mandy, adds intricate melodic power throughout the album. Jesse Chandler, Nadlerâs piano teacher (as well as a member of Mercury Rev and Midlake), plays winding woodwinds and plaintive piano to luminous effect. Fellow singer-songwriter Emma Ruth Rundle contributes a slinky guitar solo on âTurned Into Air,â while Black Mountainâs Amber Webber steps in as a vocal foil to Nadler, a ghostly apparition in the distance of âElegy.âÂ
Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album at Machines with Magnets in Pawtucket, Rhode Island. Manchester added dimension to the songsâ atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadlerâs delivery now stings and pierces with newfound immediacy and confidence.Â
As a songwriter, Nadler is as direct and urgent as she has ever been. Thereâs no coded language amid the bleak lows and exalted highs of songs like âElegy,â âLemon Queen,â âStorm,â and âTried Not to Look Back.â Memories are painted with highly detailed imagery, and Nadler, also a visual artist, uses that eye not only to tell a story but to transport the listener there.Â
The Path of the Clouds showcases the power of an artist at the peak of her powers nearly 20 years into an acclaimed career as a songwriter and singer. Coming a long way from the spare dream folk of her earlier work, she has remained inspired and continues to evolve, open to new ideas and directions. The proof is right here, in Nadlerâs most ambitious and complex album yet.Â
Tracklist
- Bessie Did You Make It
- The Path Of The Clouds
- Couldnât Have Done the Killing
- If I Could Breathe Underwater
- Elegy
- Well Sometimes You Just Canât Stay
- From Vaport to Stardust
- Storm
- Turned Into Air
- And I Dream of Running
- Lemon Queen















